對話世界——國際書法名家王劍作品海內外媒體展播
中外文化交流大使是促進國際間文化理解和友誼的重要橋樑，不僅推動了文化的交流與傳播，還增進了不同國家人民之間的相互理解和尊重。他們不僅是文化的傳播者，也是友好交往的使者，通過自己的實踐和努力，爲中外文化交流做出了顯著的貢獻。
王劍先生是一位跨越國界的文化使者，他是一位熱愛書法的藝術家，對藝術的熱愛和執着如同他對生活的熱愛一樣，他的作品體現了他的藝術才華和文化修養，同時也展現了他的品德和修養，他是藝術界的瑰寶，也是藝術的傳承與創新者。
Chinese and foreign cultural exchange ambassadors are an important bridge to promote international cultural understanding and friendship, which not only promotes cultural exchange and dissemination, but also enhances mutual understanding and respect between people of different countries. They are not only the disseminators of culture, but also the envoys of friendly exchanges. Through their own practice and efforts, they have made remarkable contributions to the cultural exchanges between China and foreign countries.
Mr. Wang Jian is a cultural ambassador who transcends national borders. He is an artist who loves calligraphy, and his passion and persistence for art are just like his love for life. His works reflect his artistic talent and cultural cultivation, as well as his character and cultivation. He is a treasure in the art world and a inheritor and innovator of art.
王劍，1954年5月出生於江蘇省無錫縣（現錫山區），1970年12月入伍，軍旅書法家，1989年10月轉業地方工作。少年時期受學校老師影響步入書法領域，工作之餘，醉心翰墨，臨池不輟，不求聞達於世，但求書藝日進。1986年由濟南軍區文化部推薦加入山東省書法家協會。現爲江蘇省書法家協會會員，無錫市書法家協會（原常務理事），無錫市錫山區書法家協會執行主席。
王劍書法的書體以楷行草爲主，兼有魏篆隸。學書先從唐楷入手，先顏後歐，打下了較爲紮實的楷書功底；行書學王爲主，兼學文徵明、米芾、趙孟頫，借鑑鄭文公下碑和石門頌等著名碑帖；小草學二王、孫過庭、王鐸，大草學懷素、張旭、黃庭堅等。在風格上追求線條的質感和筆墨的變化與對比，追求雅俗共賞的審美效果和勁健灑脫的藝術情趣。學書50多年來，參加的各種各級書展不計其數，恕不在此一一贅述，書藝不精，求教於各同道不吝賜教。
Wang Jian, born in May 1954 in Wuxi County, Jiangsu Province (now Xishan District), joined the army in December 1970, was a military calligrapher, and transferred to local work in October 1989. Influenced by the school teacher, he entered the calligraphy field in his youth. After work, he was obsessed with calligraphy, never stopped, never wanted to be heard in the world, but wanted to improve his calligraphy. In 1986, he was recommended by the Ministry of Culture of Jinan Military Region to join Shandong Calligraphers Association. He is now a member of Jiangsu Calligrapher's Association, the Wuxi Calligrapher's Association (former executive director), and the executive chairman of Xishan District Calligrapher's Association of Wuxi.
The calligraphy style of Wang Jian's calligraphy is mainly regular script and cursive script, and also Wei Zhuan and Li script. Learning regular script in Tang Dynasty first and then in Europe, has laid a solid foundation in regular script; The running script mainly learns from Wang, and also learns from Wen Zhengming, Mi Fu, Zhao Mengfu. It draws on famous steles and calligraphies such as Zheng Wengong's Lower Stele and Shimen Song; Xiao Cao learns from Er Wang, Sun Guoting, Wang Duo, and Da Cao learns from Huai Su, Zhang Xu, Huang Tingjian, etc. In terms of style, it pursues the texture of lines and the change and contrast of pen and ink, the aesthetic effect of both refined and popular tastes, and the vigorous and free and easy artistic taste. Over the past 50 years, I have participated in countless book exhibitions at all levels. I will not repeat them here one by one. I am not good at calligraphy, and I am willing to ask my colleagues for advice.